000			03751nam a22003855i 4500
999			_c238772 _d238772
001			238772
003			ES-VaUEC
005			20240118164306.0
006			a||||fo|||| 00| 0
007			cr nn 008mamaa
008			231109s2023 sz | s |||| 0|eng d
020			_a9783031429750
024	7		_a10.1007/978-3-031-42975-0 _2doi
040			_aES-VaUEC _bspa _cES-VaUEC _dES-VaUE
050	0	4	_aHD9992 _b2023 EB
245	1	0	_aClassical Music and Opera During and After the COVID-19 Pandemic: _bEmpirical Research on the Digital Transformation of Socio-cultural Institutions and Aesthetic Forms _cedited by Steffen Lepa, Ruth Müller-Lindenberg, Hauke Egermann
250			_a1st ed 2023
264		1	_aCham _c2023 _bSpringer International Publishing
300	0	0	_a1 recurso en línea
336			_atexto _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
490	0		_aMusic Business Research, _x2522-0837
505	0		_aChapter 1 Quo Vadis Classical Music? Remarks on the Post-Pandemic Condition -- Chapter 2 Opera (Training (Research)) During Lockdown -- Chapter 3 The pandemic as a peephole into the ongoing digital transformation of opera. Insights from an expert interview study with the management of Berlin's three opera houses -- Chapter 4 The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication -- Chapter 5 Streaming Opera: Compromise Solution or Future-Oriented Reception Form? -- Chapter 6 Digital Concert Experience - An online research project on live streaming during the pandemic -- Chapter 7 Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams -- Chapter 8 Combining two different worlds. A post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz.
520			_aThe global COVID-19 pandemic, the resulting lockdown imposed in many countries, as well as related safety measures taken by governments and authorities, have posed significant challenges to classical music culture. However, they may also have had a stimulating effect on music festivals and opera houses' streaming offerings. This book brings together experts from the fields of musicology and music management to share their current empirical research findings on the pandemic-evoked digital transformation of the classical music scene, addressing either the institutional or the reception perspective. Furthermore, it documents discussions with opera dramaturgs and artistic directors, as well as music managers and event producers in the classical field, to share their practical lockdown experiences and current strategies in dealing with the digital transformation of opera. In this way, the volume combines the perspective of academic researchers with that of practitioners in the field. This book is particularly useful for students and researchers in music and media management, as well as musicology. It is also intended to help practitioners from concert houses and opera management, such as dramaturges, artistic directors, marketing and communication directors.
988			_aSpringer_Business_2023
650		7	_2embne _9274177 _aIndustria de la música
650		0	_9512669 _aBusiness communication.
830		0	_aMusic Business Research, _x2522-0837
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-031-42975-0 _zAcceso a este recurso digital (usuarios Universidad Europea de Valencia)
942			_2lcc _cLE _n0
998			_db _ee